monpaysofchlesspi.ml: Antygona w Nowym Jorku (Polish Edition) (): Janusz a site? Get your site here, or download a FREE site Reading App. JANUSZ GŁOWACKI / ANTYGONA W NOWYM JORKU. reż. Andrzej Szczytko / TEATR NOWY im. K. DEJMKA W ŁODZI / fot. HaWa. Save to. It does what a good play should it really make you think. It left me scared and shaken. The characters are terrifyingly real, and the reality that is p.
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Agnieszka Mrozik in her paper on identity politics in women's auto- biographies investigates the role played by women authors in sustaining the traditional ideal of family and nation as two core components of Polish past and present identity. This model is idealised and presented as a symbol of the nation's identity and only careful unravelling of subtle hints and clues hidden under the surface of women's auto- biographies can uncover the suppressed voices of women who were silenced and disciplined by the idealised patriarchal order.
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Uffelmann analyses the changes that the traditional construct of male authority and sovereignty undergoes in an urban context in a situation of migration, which often leads to the marginalisation of men and the creation of what Uffelmann calls 'male subalternity' p.
Uffelman comes to the conclusion that the crisis of communication and 'aggressive reactions to women's emancipated behaviour are … testimony to the incompatibility of the patriarchal system with the global city' p. He provides an insightful discussion of Krzysztof Tomasik's study Homobiografie Homobiographies, and the evolution of the Polish 'coming-out' novel. The remaining chapters of the volume explore the question of national identity and its contemporary meaning, especially in relation to cultural memory, Jewish-Polish history, and bi- and multicultural identities of migrant Poles.
Uilleam Blacker analyses Polish urban prose, including works by Olga Tokarczuk, Pawel Huelle, and Marek Krajewski, drawing attention to the ways in which the memory of those who had lived in spaces currently inhabited by Poles, in particular Jews and Germans, has begun to resurface in contemporary literature and serve to undermine a purely Polish narrative about those places. Vickers convincingly argues that the way in which the play treats the killing of Jews by Poles in the town of Jedwabne offers a critical reflection on how the traditional understanding of the core elements of Polish national identity — God, Honour, and Fatherland — makes it impossible to create an open and inclusive community of memory that would endorse the experiences of Polish Jews.
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Since its inception, it has published almost 1, scientific books, thousands uwrdboek articles, and a large number of reports on these subjects. Perevod Eleny Vernikovskoj.
Perevod Iriny Lappo. Ljucina i ee deti.
Slavjansko-germanskij medicinskij tragifars. Perevod Iriny Kirganskoj.
Perevod Ljudmily Milovanovoj. In Mosty 25, 1: 17— Szkice o teatrze.
Warszawa: Oficyna Wyd. Das abenteuerliche Herz.
In Theater Heute 46 , 2: 46— Performing Violence. Bristol, Chicago: Intellect.
Moskva: Zolotaja Maska: 5— In Gall, Nickel eds. Club der polnischen Versager. Moskva: Zolotaja Maska. In Beumers, Lipovetsky eds.
Theaterlandschaften der Gegenwart.In Mosty 25, 1: 17— From Wikipedia, the free encyclopedia. Kris Van Heuckelom provides an insightful analysis of recent Polish migration narratives, drawing attention to the ways in which Polish women who enter into inter-ethnic relationships are represented as 'Penelopes on the loose' and their mobility is to a large extent associated with sexual promiscuity p.
All the contributions in different ways provoke a reflection on how traditional Polish national and cultural identity can be reconceptualised and turned into a more open and inclusive category that gives voice to those who have been traditionally perceived as the Other — female, homosexual, Jewish — and as potential threats to the integrity of Polish national identity.
Prague: Arts Inst. In Andreas Kelletat, Andreas Meger eds.